Formalist-style film | Realist-style film | |
Mise-en-scene/ Mise-en-shot techniques associated with this style of film-making | - Heavily edited à “jump cuts” - Montage - Fast and slow motion - Low/high camera angles - Transformation of 3D world into a 2D surface - Stylised / symbolic images - Artificial settings - Artificial lighting - No attempt at verisimilitude - Stylised dialogue / diagetic - Lots of non-diagetic sound - Subtitles / captions | - Long takes, deep focus - No especial montage - Subjective viewpoint – uses camera lens to reproduce the way we look at the world - “Documentary” style - Natural/non-intrusive - Realistic/authentic setting - Naturalistic dialogue - Lots of diagetic sound - Minimal non-diagetic |
Definition / aim of this style of film-making | - Stylised or auteur emphasise his own style | - Real events in the impression of real life - Life as it is: reality |
Directors associated with style | - Sergei Eisenstein - Jean-Luc Godard | - Roberto Rossellini (Italian neorealist) - Jean Renoir - Rodrigo García |
Films associated with style | - October (1927) directed by Eisenstein | - Nine Lives (2005) |
Deborah Méndez ©
interesting information Deborah
ResponderEliminar